The image formed in our mind listening to the presentation of the works was immediately clear. A circular environment, an extraordinary architecture. Low ambient lighting, almost in dim light, with the natural light coming from the dome lantern. 20 beams of light coming from below, 20 correspondents, more tenuous, from above, and, in the encounter between the two, 20 marble works suspended from the ground in the void, motionless.

The ways of finding these works have something extraordinary, you cannot tell them today by exposing the result. For almost two millennia these masterpieces have remained encased in mortar, the final act of dispossession and decadence.